The single-disc edition includes the movie and a very limited selection of special features. Available on the one-disc edition is a "Director's Notebook" section, in which pages of Del Toro's notebook are reproduced, showcasing design sketches and annotations by the director, as well as "video pod" segments in which he explains these designs and concepts further. The segment is available in the three-disc edition in the "pre-production vault", which also includes other galleries. The three-disc special edition includes two audio commentaries (one by Del Toro and another by members of the cast), six deleted scenes, several featurettes, a full-length documentary, and image galleries. Though not added into the movie after credits due to budget cuts, a comic style of the Zinco Sequel is added to the special features, serving as a prologue to the third Hellboy movie. The third disc contains a digital copy. Hellboy II: The Golden Army was released on 4K UHD Blu-Ray on May 7, 2019.[38]
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Roger Ebert of the Chicago Sun-Times gave the film three and a half stars out of four, the same rating he gave the first film, writing: "In every way the equal of del Toro's original Hellboy, although perhaps a little noisier, it's another celebration of his love for bizarre fantasy and diabolical machines."[41] Michael Rechtshaffen writing in The Hollywood Reporter said Hellboy II was an uncompromised vision of del Toro's imagination. He said that with the director given free rein, the film came across as an amalgam of the best moments from his previous films, only with better visual effects.[42] John Anderson of Variety wrote of a rococo precision to the visuals that exceeded that of the first film. He cited del Toro's "clockmaker's preoccupation with detail" and ability to blend state-of-the-art technology with more classical visuals as the reasons for the film's success.[43] Owen Gleiberman of Entertainment Weekly said that the plot did not often deviate from its comic-book traditions, but that del Toro staged the action "brilliantly". He said that while the visual effects deserved recognition, what made the film so exciting was the personality they were imbued with.[44] Chuck Wilson of The Village Voice said that del Toro was on autopilot, but that he and his Pan's Labyrinth crew, cinematographer Guillermo Navarro in particular, staged the steady stream of action set-pieces expertly.[45] Mike Goodridge of Screen International wrote that del Toro had retained the B movie tone of the first film, saying the film managed to avoid the self-importance of The Incredible Hulk and the Batman film series and that del Toro was simply a "great storyteller" providing a "good time".[46] Stuart Levine in Premiere praised the visuals and "beautiful" set-pieces, but said del Toro's script fell a little short of his direction.[47] Alonso Duralde writing for msnbc.com said it represented a backwards step for del Toro, saying that despite several creepy sequences, the film was a return to the muddled storytelling and pretty visuals of his pre-Pan's Labyrinth films. He said del Toro's screenplay lacked energy or momentum.[48] However, Peter Bradshaw, of The Guardian, said almost the opposite was the case, as he thinks "it is a crackingly enjoyable and exciting sequel, with something that the memory of Pan's Labyrinth might have entirely erased: a sense of humour." Noting that "this spectacular movie seethes and fizzes with wit and energy, absorbing and transforming influences such as Ghostbusters and even Harry Potter and the secret world of Diagon Alley."[49] 2ff7e9595c
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